Phobia

Kamis, 13 Juni 2013

TOEFL


 
The TOEFL, formally known as Test Of English as a Foreign Language, is a test of an individual's ability to use and understand English in an academic setting. The test is designed and administered by Educational Testing Service (ETS), and TOEFL is a registered trademark of ETS. It was developed to address the problem of ensuring English language proficiency for non-native speakers wishing to study at U.S. universities. It has become an admission requirement for non-native English speakers at many English-speaking colleges and universities. Additionally, institutions such as government agencies, licensing bodies, businesses, or scholarship programs may require this test. TOEFL scores are valid for two years, after then they are no longer reported.
In 1962, a national council made up of representatives of thirty government and private organizations was formed to address the problem of ensuring English language proficiency for non-native speakers wishing to study at U.S. universities. This council recommended the development and administration of the TOEFL exam for the 1963-1964 time frame.
The test was originally developed at the Center for Applied Linguistics under the direction of Stanford University applied linguistics professor Dr. Charles A. Ferguson.
The TOEFL test was first administered in 1964 by the Modern Language Association financed by grants from the Ford Foundation and Danforth Foundation.
In 1965, The College Board and ETS jointly assumed responsibility for the continuation of the TOEFL testing program.
In 1973, a cooperative arrangement was made between ETS, The College Board, and the Graduate Record Examinations board of advisers to oversee and run the program. ETS was to administer the exam with the guidance of the TOEFL board.

Formats and Contents
·         Internet-based Test
Since its introduction in late 2005, the TOEFL iBT format has progressively replaced both the computer-based tests (CBT) and paper-based tests (PBT), although paper-based testing is still used in select areas. The TOEFL iBT test has been introduced in phases, with the United States, Canada, France, Germany, and Italy in 2005 and the rest of the world in 2006, with test centers added regularly. The CBT was discontinued in September 2006 and these scores are no longer valid.
Although initially, the demand for test seats was higher than availability, and candidates had to wait for months, it is now possible to take the test within one to four weeks in most countries. The four-hour test consists of four sections, each measuring one of the basic language skills (while some tasks require integrating multiple skills) and all tasks focus on language used in an academic, higher-education environment. Note-taking is allowed during the TOEFL iBT test. The test cannot be taken more than once a week.
1.      Reading
The Reading section consists of 3-5 passages, each approximately 700 words in length and questions about the passages. The passages are on academic topics; they are the kind of material that might be found in an undergraduate university textbook. Passages require understanding of rhetorical functions such as cause-effect, compare-contrast and argumentation. Students answer questions about main ideas, details, inferences, essential information, sentence insertion, vocabulary, rhetorical purpose and overall ideas. New types of questions in the TOEFL iBT test require filling out tables or completing summaries. Prior knowledge of the subject under discussion is not necessary to come to the correct answer.
2.      Listening
The Listening section consists of six passages 3-5 minutes in length and questions about the passages. These passages include two student conversations and four academic lectures or discussions. A conversation involves two speakers, a student and either a professor or a campus service provider. A lecture is a self-contained portion of an academic lecture, which may involve student participation and does not assume specialized background knowledge in the subject area. Each conversation and lecture stimulus is heard only once. Test-takers may take notes while they listen and they may refer to their notes when they answer the questions. Each conversation is associated with five questions and each lecture with six. The questions are meant to measure the ability to understand main ideas, important details, implications, relationships between ideas, organization of information, speaker purpose and speaker attitude.
3.      Speaking
The Speaking section consists of six tasks: two independent tasks and four integrated tasks. In the two independent tasks, test-takers answer opinion questions on familiar topics. They are evaluated on their ability to speak spontaneously and convey their ideas clearly and coherently. In two of the integrated tasks, test-takers read a short passage, listen to an academic course lecture or a conversation about campus life and answer a question by combining appropriate information from the text and the talk. In the two remaining integrated tasks, test-takers listen to an academic course lecture or a conversation about campus life and then respond to a question about what they heard. In the integrated tasks, test-takers are evaluated on their ability to appropriately synthesize and effectively convey information from the reading and listening material. Test-takers may take notes as they read and listen and may use their notes to help prepare their responses. Test-takers are given a short preparation time before they have to begin speaking. The responses are digitally recorded, sent to ETS’s Online Scoring Network (OSN) and evaluated by three to six raters.
4.      Writing
The Writing section measures a test taker's ability to write in an academic setting and consists of two tasks: one integrated task and one independent task. In the integrated task, test-takers read a passage on an academic topic and then listen to a speaker discuss the same topic. The test-taker will then write a summary about the important points in the listening passage and explain how these relate to the key points of the reading passage. In the independent task, the test-taker must write an essay that states, explains, and supports their opinion on an issue, supporting their opinions or choices, rather than simply listing personal preferences or choices. Responses are sent to the ETS OSN and evaluated by four raters.
One of the sections of the test will include extra, uncounted material. Educational Testing Service includes extra material in order to pilot test questions for future test forms. When test-takers are given a longer section, they should give equal effort to all of the questions because they do not know which question will count and which will be considered extra. For example, if there are four reading passages instead of three, then three of those passages will count and one of the passages will not be counted. Any of the four passages could be the uncounted one.

·         Paper-Based Test
The TOEFL paper-based Test (PBT) is available in limited areas. Scores are valid for two years after the test date, and test takers can have their scores sent to institutions or agencies during that time.
1.      Listening (30 – 40 minutes)
The Listening section consists of 3 parts. The first one contains 30 questions about short conversations. The second part has 8 questions about longer conversations. The last part asks 12 questions about lectures or talks.

2.      Structure and Written Expression (25 minutes)

The Structure and Written Expression section has 15 exercises of completing sentences correctly and 25 exercises of identifying errors.
3.      Reading Comprehension (55 minutes)
The Reading Comprehension section has 50 questions about reading passages.
4.      Writing (30 minutes)
The Writing section is one essay with 250–300 words in average.




Iron Man 3



Iron Man 3 (stylized onscreen as Iron Man Three) is a 2013 American superhero film featuring the Marvel Comics character Iron Man, produced by Kevin Feige of Marvel Studios and distributed by Walt Disney Studios Motion Pictures.1 It is the sequel to 2008's Iron Man and 2010's Iron Man 2, and the seventh installment in the Marvel Cinematic Universe, being the first major release in the franchise since the crossover film The Avengers. Shane Black directed a screenplay he co-wrote with Drew Pearce and which uses concepts from the "Extremis" story arc by Warren Ellis. Robert Downey, Jr. reprises his role as the title character, with Gwyneth Paltrow and Don Cheadle reprising their roles as Pepper Potts and James Rhodes, respectively. Jon Favreau, who directed the first two films, serves as an executive producer and reprises his role as Happy Hogan. Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale, and Ben Kingsley round out the film's principal cast.
After the release of Iron Man 2 in May 2010, Favreau decided not to return as director, and in February 2011 Black was hired to rewrite and direct the film. Throughout April and May 2012, the film's supporting cast was filled out, with Kingsley, Pearce, and Hall brought in to portray key roles. Filming began on May 23, 2012 in Wilmington, North Carolina. The film was shot primarily in North Carolina, with additional shooting in Florida, China and Los Angeles. The film's visual effects were handled by 17 companies, including Scanline VFX, Digital Domain, and Weta Digital.
Iron Man 3 was converted to 3D in post-production.[7] The film premiered at the Grand Rex in Paris on April 14, 2013.[3] It was internationally released on April 25, 2013 in IMAX[8] and was released on May 3, 2013 in the United States.
The film was both critically and commercially successful. As of June 2013, it has grossed over $1.19 billion worldwide, becoming the 16th film to gross over $1 billion. It currently ranks as the fifth-highest-grossing film of all time and the highest-grossing 2013 film.
Tony Stark recalls a New Years Eve party in 1999 with scientist Maya Hansen, inventor of Extremis—an experimental regenerative treatment intended to allow recovery from crippling injuries. Disabled scientist Aldrich Killian offers them a place in his company, Advanced Idea Mechanics, but Stark rejects the offer, humiliating Killian.
Years later, Stark's experiences during the alien invasion of New York are giving him panic attacks. Restless, he has built several dozen Iron Man suits, creating friction with his girlfriend Pepper Potts. A string of bombings by terrorist the Mandarin has left intelligence agencies bewildered by a lack of forensic evidence. When Stark Industries security chief Happy Hogan is badly injured in one such attack, Stark overcomes his stupor and issues a televised threat to the Mandarin, who responds by destroying Stark's home with helicopter gunships. Hansen, who came to warn Stark, survives the attack along with Potts. Stark escapes in an Iron Man suit, which his artificial intelligence JARVIS pilots to rural Tennessee, following a flight plan from Stark's investigation into the Mandarin. Stark's experimental armor lacks sufficient power to return to California, and the world believes him dead.
Teaming with Harley, a precocious 10-year-old boy, Stark investigates the remains of a local explosion bearing the hallmarks of a Mandarin attack. He discovers the "bombings" were triggered by soldiers subjected to Extremis, which at this stage of development can cause certain subjects to explosively reject it. After veterans started exploding, their deaths were used to cover up Extremis' flaws by manufacturing a terrorist plot. Stark witnesses Extremis firsthand when Mandarin agents Ellen Brandt and Eric Savin attack him.
With Harley's help, Stark traces the Mandarin to Miami and infiltrates his headquarters using improvised weapons. Inside he discovers the Mandarin is actually a British actor named Trevor Slattery, who claims he is oblivious to the actions carried out in his name. The Mandarin is actually a creation of Killian, who appropriated Hansen's Extremis research as a cure for his own disability and expanded the program to include injured war veterans. After capturing Stark, Killian reveals he has kidnapped Potts and subjected her to Extremis to gain Stark's aid in fixing Extremis' flaws and thereby saving Potts. Killian kills Hansen when she has a change of heart about the plan.
Killian has also manipulated American intelligence agencies regarding the Mandarin's location, luring James Rhodes—the former War Machine, now re-branded as the Iron Patriot—into a trap to steal the armor. Stark escapes and reunites with Rhodes, discovering that Killian intends to attack President Ellis aboard Air Force One. Remotely controlling his Iron Man armor, Stark saves some surviving passengers and crew but cannot stop Killian from abducting Ellis and destroying Air Force One. They trace Killian to an impounded damaged oil tanker where Killian intends to kill Ellis on live television. The vice president will become a puppet leader, following Killian's orders in exchange for Extremis to cure a little girl's disability.
On the platform, Stark goes to save Potts, and Rhodes saves the president. Stark summons his Iron Man suits, controlled remotely by JARVIS, to provide air support. Rhodes secures the president and takes him to safety, while Stark discovers Potts has survived the Extremis procedure. However, before he can save her, a rig collapses around them and she falls to her apparent death. Stark confronts Killian and traps him in an Iron Man suit that self-destructs, but fails to kill him. Killian then reveals he is the real Mandarin. Potts, whose Extremis powers allowed her to survive her fall, intervenes and kills Killian.
After the battle, Stark orders JARVIS to remotely destroy each Iron Man suit as a sign of his devotion to Potts. The vice president and Slattery are arrested. With Stark's help, Potts' Extremis effects are stabilized, and Stark undergoes surgery to remove the shrapnel embedded near his heart. He pitches his obsolete chest arc reactor into the sea, musing he will always be Iron Man.
In a present day post-credits scene, Stark wakes up Dr. Bruce Banner, who fell asleep listening at the beginning of Stark's story.

Music



Music is an art form whose medium is sound and silence. Its common elements are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics, and the sonic qualities of timbre and texture. The word derives from Greek μουσική (mousike; "art of the Muses").[1]
The creation, performance, significance, and even the definition of music vary according to culture and social context. Music ranges from strictly organized compositions (and their recreation in performance), through improvisational music to aleatoric forms. Music can be divided into genres and subgenres, although the dividing lines and relationships between music genres are often subtle, sometimes open to individual interpretation, and occasionally controversial. Within the arts, music may be classified as a performing art, a fine art, and auditory art. It may also be divided among art music and folk music. There is also a strong connection between music and mathematics.[2] Music may be played and heard live, may be part of a dramatic work or film, or may be recorded.
To many people in many cultures, music is an important part of their way of life. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound."[3] Musicologist Jean-Jacques Nattiez summarizes the relativist, post-modern viewpoint: "The border between music and noise is always culturally defined—which implies that, even within a single society, this border does not always pass through the same place; in short, there is rarely a consensus ... By all accounts there is no single and intercultural universal concept defining what music might be.

20th- and 21st-century music

With 20th-century music, there was a vast increase in music listening as the radio gained popularity and phonographs were used to replay and distribute music. The focus of art music was characterized by exploration of new rhythms, styles, and sounds. Igor Stravinsky, Arnold Schoenberg, and John Cage were all influential composers in 20th-century art music. The invention of sound recording and the ability to edit music gave rise to new sub-genre of classical music, including the acousmatic [21] and Musique concrète schools of electronic composition.
Jazz evolved and became an important genre of music over the course of the 20th century, and during the second half of that century, rock music did the same. Jazz is an American musical artform that originated in the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. The style's West African pedigree is evident in its use of blue notes, improvisation, polyrhythms, syncopation, and the swung note.[22] From its early development until the present, jazz has also incorporated music from 19th- and 20th-century American popular music.[23] Jazz has, from its early-20th-century inception, spawned a variety of subgenres, ranging from New Orleans Dixieland (1910s) to 1970s and 1980s-era jazz-rock fusion.
Rock music is a genre of popular music that developed in the 1960s from 1950s rock and roll, rockabilly, blues, and country music. The sound of rock often revolves around the electric guitar or acoustic guitar, and it uses a strong back beat laid down by a rhythm section of electric bass guitar, drums, and keyboard instruments such as organ, piano, or, since the 1970s, analog synthesizers and digital ones and computers since the 1990s. Along with the guitar or keyboards, saxophone and blues-style harmonica are used as soloing instruments. In its "purest form," it "has three chords, a strong, insistent back beat, and a catchy melody."[24] In the late 1960s and early 1970s, it branched out into different subgenres, ranging from blues rock and jazz-rock fusion to heavy metal and punk rock, as well as the more classical influenced genre of progressive rock and several types of experimental rock genres.